Carla Bruni opened and Naomi Campbell closed. MACIAS: How would you describe the collection overall?ĭARA: Looking at it now, the collection was clean, sophisticated, and easy.ĭARA: Oh bitch. I immediately went backstage to bother all of the models. Orange circular lights were weaving through the space. It was giving Leaning Tower of Pisa dystopian structure situation. The artist and photographer Shikeith told me that. MACIAS: Can you describe the environment of the show?ĭARA: Well, there were sculptures, it was like an installation by the artist Anselm Kiefer. It was giving airport hangar on the outskirts of the city, I don’t know where we were. MACIAS: Yes, you’re giving me the third fashion week of the season exhaustion and that’s what it is.ĭARA: I was at Tod’s SS23. MACIAS: How would you describe your Milan Fashion Week schedule up to now?ĭARA: A banana, an apple, and phlegm. I’m taking a much-needed break from the madness and the mayhem of Milan. I’m just a regular Tim Blanks reviewer of shows, you know, a Cathy Horyn of sorts, if you will.ĭARA: I am in my hotel room. I’m very excited to talk to you today.ĭARA: Hi Ernesto from Interview. MACIAS: This is Ernesto from Interview, thank you so much for taking the time to speak with us. Post show, we caught up with our fashion director Dara to talk about her favorite looks from the collection, and what it feels like to see Carla Bruni and Naomi Campbell slay the runway for the first time. Some of the subdued looks were paired with accessories in contrasting pops of yellow, red, and purple (hello bubble ballerina flat!). Iconic and essential pieces from the house-leather goods, moccasins, and structured jackets-were reimagined in python, nude, and powder pink. For Tod’s SS23 “ITALIAN FLAIR” collection, creative director Walter Chiapponi found inspiration in the brand’s local heritage.
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